Have you ever been kept awake by the sound of your own heart? Like a stubborn salesman scratching at the door?
As though every beat ripples through you as a penny in a puddle, resounding like waves circling out and expanding like the ever-blacker universe itself?
And isn’t it peculiar how the rest of the body seems to involve itself? As if to support the growing tumbleweed of sound, thunderous thumps in your chest. It generally begins with the ears, as they project the mumblings and thuds of your assiduous heart through to your pillow like an ill-smothered megaphone. It is a sound that simply cannot be repressed. It may as well be a deaf high school marching band beneath the box springs. As soon as that song takes off, your eyes will follow suit, and crank themselves open like Venetian blinds at noon. In the Sahara. Hot. You will see in the dark as you never have. Each knock and bump of your chest will open a larger hole that will form in your ceiling. It will eat your potentially radioactive glow in the dark stars from 1985, sucking them up into naked space. It will be entirely impractical to close them again, what with the band and celestial activity overhead. But this phenomenon is by no means limited to your head. Inevitably your fingers are tapping your pale thighs, and you have flopped to your back to avoid the megaphones pressing any harder into the traitorous pillows. The fingers are picking up pace, filling the missing notes between syncopated beats, until they seem to sprout minds of their own and generate heat from the speed of their drumming. Each finger becomes an oversized matchstick and ignites, sending you into a flaming frenzy and kicking around sheets like a devil child. You extinguish the flames, but not before loosening every cover of your mattress sheets, so that you must stomp to your feet and reconstruct the bed entirely before you might make a second attempt at sleeping. It is then that the flood lamp of a harvest moon behind the bars at your window begins to build its own case. As you walk to your window you drop the burnt sheets and forget the smell of charred arm hair entirely. All sound evaporates from the room and your eyes would once more be free to close, had they not just been witness to the only thing on earth that might have silenced the largest, most ambitious muscle in your chest.
4 Comments:
Sacre bleu!
It's so different. I'm v. impressed.
Love these lines:
*the growing tumbleweed of sound
*every beat ripples through you as a penny in a puddle
*Each finger becomes an oversized matchstick and ignites
*the flood lamp of a harvest moon
Had my first advanced poetry class this afternoon. When asked to name our favorite poets, everyone was listing, laughing, nodding at each others' responses. I was drilling my brain trying to remember the name of one goddamn poet. I swear it was like swimming in rocks. It might have been easier to swallow if everyone didn't have new age names, and speak in loud whisper with waving hands that attempt but never actually tip off their incredibly pretentious authentic French berets.
It was pretty scary.
But Julie Carr is a force of insight, and I love her poetic presence. Just enough humility and self respect...
Any suggestions on how I can better fit in? They would be greately appreciated...
Agh.
Sacre bleu!
It's so different. I'm v. impressed.
Love these lines:
*the growing tumbleweed of sound
*every beat ripples through you as a penny in a puddle
*Each finger becomes an oversized matchstick and ignites
*the flood lamp of a harvest moon
Had my first advanced poetry class this afternoon. When asked to name our favorite poets, everyone was listing, laughing, nodding at each others' responses. I was drilling my brain trying to remember the name of one goddamn poet. I swear it was like swimming in rocks. It might have been easier to swallow if everyone didn't have new age names, and speak in loud whisper with waving hands that attempt but never actually tip off their incredibly pretentious authentic French berets.
It was pretty scary.
But Julie Carr is a force of insight, and I love her poetic presence. Just enough humility and self respect...
Any suggestions on how I can better fit in? They would be greately appreciated...
Agh.
Billiam:
Might I suggest “half-muffled” or “scantily smothered” in lieu of “ill-smothered”? Its current standing seems sort of jury-rigged, which is fine, but threatens to, Jenga-like, collapse the structure of the piece. The expansion of the reader’s vision is very Marquez until it spirals into hyperbolic glee. I dig it, brotha.
Why can’t I have dark, slender, nubile thighs instead of the “pale” ones that you have so unkindly attributed to me?
Speaking of which, I’d switch this to the first person. While not as hip or urgent as second person, I think it would allow me a voyeuristic quality as a reader, something which I crave. “flood lamp of a harvest moon” would perhaps work better with another kind of moon, but maybe that’s because I’m overexposed to the phrase because of my black tar-like consumption of Neil Young’s latter albums.
The first para. needs more I think. And I like:
“deaf high school marching band beneath the box springs.” Closely followed by: “your eyes will follow suit, and crank themselves open like Venetian blinds at noon. In the Sahara. Hot. You will see in the dark as you never have.” I like the abstraction and hyper-Hemmingway style terse sentence structure. Please more.
Oh, and if you’re wondering why I rarely if ever comment on your poetry it’s not that I don’t read it and love it, it’s that I feel gloriously unqualified to do so. To use an analogy: in poetry appreciation and understanding I am a lowly level 2 dwarf cleric with nary a healing spell to your level 35 ogre paladin veins bulging equipped with the flaming katana of the moon harbinger.
I wuv you. Hopefully grad school is fun. Or even phun.
i'll write prose poems more often just to score more comments of this nature.. cammy darling! i want to lick your cheek!
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